i wanna get drunk and kiss a lot and not think for a while

(via acciotardis)


roseyjehan:

davidtennantspants:

I HAVE SEARCHED ACROSS THE AGES FOR THIS GIFSET

OH GOD THIS IS SO GREAT

(via punk-kieren-walker)



i-want-ray-toros-hair:

so yknow how on youtube to mp3 it gives you a link in the box when you open the page

image

i was wondering what that was so i decided to click convert and see

image

and this is what it is

https://www.youtube.com/watch?v=KMU0tzLwhbE

what the fUCK IS THIS

I EXpECTED AN INFORMATIONAL VIDEO ON THE DANGERS OF ILLEGALLY DOWNLOADING MUSIC. bUT INSTEAD I GET WHATEVER THE FUCK THIS IS

(via with-out-wax)


sourcedumal:

lady-yuna:

2srooky:

mockingatlas:

prismatic-bell:

Can we just stop and talk about this for a minute?

Thresh doesn’t make an alliance. Thresh doesn’t waste time liking her. Thresh knows that either he must kill her or she must kill him for one of them to win.

But this is the only way he can repay her for protecting Rue when he couldn’t. It’s the only way he can repay her for honoring Rue when he couldn’t. He honors her by sparing her friend, the girl who would have died for her.

The revolution really doesn’t start with Katniss.

It starts with Rue.

SOMEBODY FINALLY SAID IT

This is exactly the point I’ve been trying to make for years. Okay, so the revolution gets it’s kindling with Katniss. She volunteers, well that’s new, she rebels in the display of talents by shooting the apple. This triggers her perfect score, okay. These aren’t really “Revolutionary” though. 

It’s not even revolutionary when Peeta professes his love, because, let’s face it, the rules of the game haven’t changed. They’re still just two kids who would have to KILL each other to win. Without a doubt, it would bring some interest to the games, so the Capitol makes propaganda about it. The “Star Crossed Lovers” in a game of life and death.

But what changes the game is Rue. Right away from her introduction in the books we know Rue is going to be somewhat of a big deal. She was compared to the most important character to Katniss, Prim, so that’s a huge indicator. She’s small, young, she’s what Prim would have been.

So Katniss instantly feels a subconscious pull toward her. 

When they meet in the trees, Katniss could have killed Rue easily, and Rue probably could have pulled a sneak attack or alerted the Careers of Katniss’s presence. Instead, Rue points out the Tracker Jacker nest.

Then it escalates, Rue and Katniss become an odd team, they’re an alliance, which is never new in the Hunger Games, as forming teams and then betraying them at the end seems to be a common, but there’s is different. It’s close, it’s sisterly, protective.

And then Rue get’s impaled. Katniss kills her first tribute with ease after that. Comparing it to hunting game. Katniss holds Rue, she cries, and then she sings. She sings for Rue a song of promised safety and warmth, something completely absent in the arena. 

And this is where the metaphorical canon fires. Katniss could have left Rue, the hovercraft would have been along to pick her up, but she can’t. She’s morally obligated to love this girl as much as possible. And this is where the revolution starts. 

She honors the dead. She honors a dead tribute from a district she’d never seen, a person she’d known for only a short period of time. But she throws away Hunger Games norms. She rejects them completely.

In the Hunger Games you’re supposed to kill mercilessly and leave the victims for the plain box they’re shipped home in. 

Katniss gives Rue a funeral in the Games, she decorates the body, she makes it look like Rue is sleeping. Like no harm had come. Katniss just ignited the coals that Rue had placed.

Rue’s District sends a parachute. Homemade bread. 

Then Thresh kills Clove and distracts Cato by taking his bag. 

The fire is going now, and the actions in Catching Fire are even more obvious.

The Speech for Rue. Peeta’s painting. Everything eludes back to this one little girl who became Katniss’s family.

So the revolution never started with Katniss, she was just the tinder for Rue’s ignition. 

Rue was the real Mockingjay.

Also, who’s four note whistle is constantly attached to the trailers?

Rue’s whistle.

Rue is omnipresent in the books and movies, and I absolutely love it.

The rebellion was started because the innocence of a black girl was defiled.

That is a powerful statement that a lot of people gloss over for this book

(via mooseandtrickster)


nicolegendary:

hell-born-rising-demon:

dolofang:

klartie:

when boys have sleepovers do they sleep in the same bed like girls do or do the rules of no homo include sharing beds

girls always share beds. and covers and clothes and food and personal space. sometimes even bathrooms

Girls share everything.

#girls dont believe in no homo #all da homo #dont give a fuck.

(via sparxflame)


Miss Jackson [Acoustic]
Panic! At The Disco
-

-tallglassofwater:

-tallglassofwater:

Panic! At The Disco: Miss Jackson Acoustic

The bassline from Miss Jackson is the reason I breathe

(via lokilaughs)



zvcruvolo:

He just shit on your whole life, bitch.

(via mystery-gangrene)


comedyaintpretty:

One of the best ending moments in a movie.

(via captainimaginary)


Years ago I learned a very cool thing about Robin Williams, and I couldn’t watch a movie of his afterward without thinking of it. I never actually booked Robin Williams for an event, but I came close enough that his office sent over his rider. For those outside of the entertainment industry, a rider lists out an artist’s specific personal and technical needs for hosting them for an event, anything from bottled water and their green room to sound and lighting requirements. You can learn a lot about a person from their rider. This is where rocks bands list their requirement for green M&Ms (which is actually a surprisingly smart thing to do). This is also where a famous environmentalist requires a large gas-guzzling private jet to fly to the event city, but then requires an electric or hybrid car to take said environmentalist to the event venue when in view of the public.
When I got Robin Williams’ rider, I was very surprised by what I found. He actually had a requirement that for every single event or film he did, the company hiring him also had to hire a certain number of homeless people and put them to work. I never watched a Robin Williams movie the same way after that. I’m sure that on his own time and with his own money, he was working with these people in need, but he’d also decided to use his clout as an entertainer to make sure that production companies and event planners also learned the value of giving people a chance to work their way back. I wonder how many production companies continued the practice into their next non-Robin Williams project, as well as how many people got a chance at a job and the pride of earning an income, even temporarily, from his actions. He was a great multiplier of his impact. Let’s hope that impact lives on without him. Thanks, Robin Williams- not just for laughs, but also for a cool example.
Brian Lord.org (via wonderwoundedhearers)

(via accio-pirates)



thatfilthyanimal:

ohfantasyworld:

Megamind - 'Bad Guy' vs ‘Nice Guy’

Seriously, if you haven’t see this movie, you really, really should. There are so many great things about Megamind: anti-bullying, great female character, funny jokes, touching scenes, very detailed animation, super awesome music… The gif set above is probably my favourite thing, however: Nice Guy is the bad guy.

Yeah I’ve kinda wanted to talk about this a lot.

Megamind is the villain, the “bad guy”. She makes it clear that she doesn’t want him. He respects it and walks off. It comes up a few more times but it’s more of an “are you sure?” or “thats how it is” than any sort of demand.

Hal is the new “hero”. His crush on Roxanne turns into an immediate “You love me now because I’m a superhero!” and when she makes it clear that she doesn’t want him, his reaction is to tantrum, then destroy the city, inevitably killing people, and attempting to kill both Roxanne and Megamind.

Hal’s legitimately scary because women have to deal with behavior like his on a constant basis. Don’t be a Hal. Be a Megamind. RESPECT THE “NO”.

Unrelated, but my other favorite thing, besides the whole “villain is a Nice Guy”, is that Minion cross-dresses and Megamind is completely serious when he says “you look fantastic”. Megamind is totally cool about his best friend cross-dressing and encourages it. That’s very important.

Roxanne also is the only character that moves the story along. All the other characters are having an existential crisis. Roxanne throws things and steps up first and is just a fucking queen.

Also I am like 200% convinced Megamind is bi. BUT THATS ME NOT OFFICIAL CANON although Dreamworks has like abandoned Megamind entirely so fandom says he’s bi THE END fandom-canon is now canon fight me on this

Sometimes I think this movie came out a few years too early. Tumblr would have loved the shit out of this. This movie fucks with stereotyped gender roles and Nice Guy thinking and just augh Dreamworks why did you let go of this why why why that was the worst decision ever why

(via accio-pirates)


angry90slesbian:

THIS IS MY FAVORITE TWITTER INTERACTION OF ALL TIME

angry90slesbian:

THIS IS MY FAVORITE TWITTER INTERACTION OF ALL TIME

(via mooseandtrickster)


s-xdrive:

avi0o0olaa:

samclassic:

swaggerific-latina:

LMFAOOO :”“( IM DONE

DEAD

i’m crying

WHAT

s-xdrive:

avi0o0olaa:

samclassic:

swaggerific-latina:

LMFAOOO :”“( IM DONE

DEAD

i’m crying

WHAT

(via arkhamsiren)